A chilly Spring has me longing for a tropical vacation. One way to get a little taste of the islands in our own backyard is to dine at Roy's. Chef Roy Yamaguchi is one of the most influential and well-respected Hawaiian chefs. His style of fusion cuisine combines Asian, French and Hawaiian ingredients and techniques. He is Hawaii's first James Beard award-winner and this year his restaurants are celebrating their 20th year with special dinners.

Tomorrow's 20th anniversary dinner takes place at the San Francisco Roy's, with Roy at the helm. Local and Hawaiian ingredients will be featured with a particular emphasis on sustainable seafood and a portion of proceeds will go to Grow for Good, a national initiative dedicated to supporting local farms and encouraging sustainable agriculture.

amuse buche

Shiro-Shoyu Marinated Kona Kampachi "Nigiri"
sustainable princess conch, tri-color tobiko & Kumamoto oysters
Perrier Jouet Grand Brut

first course

Kona Lobster Ceviche
California avocado and halibut turtle shell, 
organic watermelon radish, Cara Cara oranges

Jacob's Creek Riesling

second course

Organic Sausalito Springs Watercress & Red Kaiware Sprout Salad
goat cheese, Sparrow Lane Napa walnut vinaigrette 
Brancott Sauvignon Blanc

third course

Japanese Wagyu Topped Niman Ranch Top Sirloin
Delta asparagus, red Irish potatoes, Sebastopol mushrooms

Jacob's Creek Reserve Shiraz

fourth course

Hawaiian Vanilla & Rum Infused "Baba"
Berkeley Farms sweet cream
Sandeman
Tawny 20 Year Port

What: Roy's 20th Anniversary Dinner
Cost: Tickets are $100 (excludes tax & gratuity)
When: Thursday April 10th, Seating from 5:00 to 9:30 pm
Where:Roy's is located at 575 Mission Street in San Francisco
More: The evening will also include performance by Hawaiian dancers and Patrick Landeza
How: To make your reservation for this special event, please call 415.777.0277


Another sweet event, literally, is a pairing of wine and chocolate at local chocolate shop, Cocoa Bella.

Head over to Cocoa Bella Chocolates on Union Street for the first Wine and Chocolate Soire. They'll be offering a six-piece tasting of favorite American and European chocolates paired with a 3-glass selection of sparkling and dessert wines. The staff will be on hand to discuss how to match up your favorite bonbons with port, Madeira, and other after-dinner drinks. Each attendee will go home with a 2-piece box of complimentary chocolates chosen from the evening's special selection.

Space is limited, so make your reservations now. Reserved tickets can be paid for at the door. Some additional tickets may be available on the night of the event, but advance reservations are encouraged to ensure your space at this entertaining and informative event.

What: Wine & Chocolate Soiree
Cost: $40 per person
When: Thursday, April 10, 2008, 7 PM - 9 PM
Where: Cocoa Bella Chocolates, 2102 Union St at Webster, San Francisco
More: Includes 6-piece chocolate tasting, 3 glasses of selected wines, and complimentary 2-piece chocolate box
How: For reservations, call (415) 931-6213 or email cocoabellachocolates@yahoo.com
Additional tickets may be available at the door

Labels: amy sherman, events, hawaii, restaurants, seafood, sustainability

There are so many great food events going on in the next few weeks, it's hard to choose. Here are three that particularly caught my eye and whet my appetite.


Next Thursday March 27th, 2008 is the Wine Enthusiast Toast of the Town. Attending will be 70 domestic and international wine producers including Trinchero, Mumm Napa, Champagne Piper-Heidsiek, Rodney Strong Vineyards and J. Lohr Vineyards. A complete list of invited wine vendors is available here. The event will be held at the War Memorial Opera House.

I spoke to one of the organizers and got a sneak peek at just a few of the dishes that participating restaurants will be serving.

Bar Tartine
Blood Orange-cured Sardines with Asparagus & Soft-boiled Egg Vinaigrette

Bistro Jeanty
Crème de Tomate en Croûte - Tomato Soup in Puff Pastry

Café Gibraltar
• Moroccan Lamb & Beef Tagine – Savory Mélange of Beef and Lamb Shoulder, with Seasonal Vegetables, Chickpeas and Fingerling Potatoes in a Savory Date-mild Chile-Harissa Glaze

• Algerian Vegetable Couscous – Seasonal Vegetables, Chickpeas and Currants in a Roasted Sweet Pepper-Saffron broth, Served Atop House-Rolled Couscous

Campton Place
Spot Prawn Sashimi on Watermelon Carpaccio Chutnied Mango Chili Fizz with Apple & Wild Rocket Gazpacho Air

Étoile at Domaine Chandon
Braised Veal Cheek, Morel Mushrooms, English Pea Purée and Preserved Meyer Lemon

Go Fish Restaurant
Scallop and Shrimp Ceviche

PlumpJack Cafe
Ramp Panna Cotta with Langoustine and Pickled Cloud

Poleng Lounge
Walu Kinilaw – Hawaiian Butterfish, Toybox Tomatoes, Shallots, Cilantro, Coconut Milk, hand-harvested Philippine Sea Salt

Postrio
Tuna en Ponzu Gelée with Wasabi Tobiko, Lemon and Shiso

Pres a Vi
Hamachi Two Ways –
• Teradito with Anju Pepper Aioli, Siracha, Blood Orange Oil and Micro Cilantro
• Poke with Inamona, Soy, Lemon Zest and Wasabi Tobiko

Rivoli Restaurant
Rivoli Smoked Beef on a Cheddar Biscuit with Horseradish Cream and Pickled Onion Relish

The Grand Tasting is from 7-10 pm and tickets are $95. A silent auction at the event will benefit America's Second Harvest The Nation's Food Bank.



Share our Strength's Taste of the Nation is also a benefit for America's Second Harvest with a focus on ending childhood hunger. It will be held April 6th, 2008 at Acme Chophouse.

From 6:30-7:30pm you'll enjoy appetizers from top local restaurants before a sit-down dinner prepared by the Next Iron Chef contenders and wine pairings from top sommeliers and live and silent auctions. The chefs for the dinner will be:

Michael Symon of Cleveland's Lola and Lolita

Traci Des Jardins of Acme Chophouse, Jardiniere and Mijita

Chris Cosentino of Incanto

Gavin Kaysen of NYC's Café Boulud

Elizabeth Falkner of Citizen Cake and Orson (dessert)

Tickets are $250 and 100% of your ticket purchase goes directly to Share Our Strength.



If you are still waiting for your economic stimulus check, here's a bargain opportunity to enjoy a taste of Spain.

Tonight, March 19th, 2008, at 6 pm Gerald Hirigoyen of Bocadillos and Piperade will create Basque-inspired small plates at Macy's Union Square as part of A Mosaic of Spain, Macy's Annual Flower Show. Jon Bonne, wine editor at the SF Chronicle and Andy Booth, owner of the Spanish Table will be on hand to discuss wine pairings.

In addition to food and wine samples, you'll receive a 60-day subscrition to Zagat.com and VIP card from City Dish.

Tickets are $10 and benefit the Espanola de California.

Labels: amy sherman, events, restaurants, san francisco, Spanish food, wine

(photo by Kevin Rosseel)

The San Francisco Professional Food Society, the Asia Society and the Chinese Culture Center have all joined forces to tackle a question that lingers, like a greasy smog, over Chinese restaurants:

Why is Chinese food so bad in the US?

Four experts will discuss the topic this coming week in an event geared toward saavy travelers, frustrated diners and nostalgic expats alike. Nicole Mones, author of the novels Lost in Translation as well as the more recent and relevant The Last Chinese Chef, will join Martin Yan, that infamous TV chef, who is now atoning for his can-cook approach by establishing an eponymous Culinary Arts Center in the Middle Kingdom itself. He hopes to teach American chefs how to cook real Chinese food. Rounding out the panel are Albert Cheng, former president of the Chinese Culture Center, and Alexander Ong, chef at Betelnut Restaurant. Olivia Wu will moderate what promises to be a lively discussion.

New York diners have already considered the question more deeply than we easy-going West Coasters. Nina and Tim Zagat's opinion piece in the New York Times listed access to ingredients and immigration policies as key factors. Mones herself compared Eastern and Western culinary preferences, recipes included, in her attempt to soften the question of why Chinese food in America is still in such a sorry state. Continuing the debate, the New York Daily News suggested that a thriving economy and well-heeled diners in China means chefs can enjoy a better living by staying in their homeland rather than sweating it out. How many creative chefs want to leave their families to sling kung pao and mu shu and yet another order of potstickers when their compatriots appreciate innovative flavors and, more importantly, are willing to pay for them?

If you can't make the event but would like to taste a bit of the controversy for yourself, visit the SFPFS event announcement: they list several restaurants in San Francisco Chinatown recommended by the speakers.

The Future of Chinese Cuisine in the U.S.
Wednesday, January 23
6:00-8:30 pm
Chinese Culture Center of San Francisco
750 Kearny Street, between Clay and Washington
Third floor, San Francisco Financial District Hilton Hotel
$25 Members (SFPFS or Asia Society)
$35 Guests

Visit the SFPFS website for details and registration.

Labels: asian food, books, chinese, events, thy tran

This Thursday, InsideStoryTime will kick off its 2008 series of literary readings with a food-themed evening. Yours truly will join four other local writers: Julia Flynn Siler, Ron Saxen, Cameron Heffernan and my ramen king friend, Andy Raskin.

Stop by Delirium and make your way to the back room to listen to our stories about the weird, beautiful ways food flavors our lives.

Until then, here's a taste of what I'll be sharing:



Egg

You will hear a chick’s first cries long before you see it. Exactly 21 days after being laid, while still tightly curled within its shell, the chick begins to voice its unhappiness. Its last reserves of food have been absorbed; its protective shell is now cramped and dry. The first peeps rise from the egg weakly, intermittently, then through the day they grow more frequent and insistent. The egg flicks ever so slightly from side to side as the bird within struggles to stretch its wings. Hours later, a crack appears, the first sign of external pipping. Then the crack becomes a breathing hole, the breathing hole becomes a window, and the window opens wide enough for a head to push through. Finally, the shell cracks in half.

If all goes well -- if the temperature never varies from 100 degrees, if the humidity is not less than 65 percent, if the egg is not touched or moved, if the chick’s head is positioned correctly at the large end and not at the small, if it has enough energy, and if other chicks nearby cry out enough reassurance and motivation -- a wet, limp creature falls out. The entire process requires twenty-four hours, though the progress appears in idiosyncratic spurts. Each chick decides for itself if it wants to wait quietly before bursting forth in a few spectacular minutes. Or if it prefers a steady, plodding pace of birth.

Some chicks, of course, do not survive the stress of emerging from their shell. It’s hard work, and no one else can help. Its mother can only sit quietly above, keeping it warm. Humans must resist the urge to peel back a tip of shell or to turn the egg, with the best of intentions, so the poor chick can see the world upright. One must not assist except in the most dire circumstances, difficult to judge when wetness and blood and destruction are natural elements of the hatching. Some hatchers are able to look away as the chick dies, insisting that if it can’t fight its way out of its own shell, it won’t be strong enough for the rigors of life ahead....


(Photo by Mark Miller)

Frog Hunting

Once the summer sun has set, my mother can begin catching frogs. Standing next to her kitchen door, she pulls on thick socks and heavy-soled clogs. In one hand she grasps a flashlight, and with the other, she pulls a long, narrow, transparently blue plastic bag saved from the morning’s delivery of the Kansas City Star. Outside her home, a few hundred paces to the south, she arrives at her pond. Stepping softly along its muddy banks, she listens for the deep, throaty calls of the bullfrogs. Jug-o-rum, jug-o-rum, jug-o-rum. They will continue their chorus throughout the night, filling the humid air with their reassuring vibrations and the occasional, watery plop! of surprise.

To kill a frog, like the killing of any animal, is routine for those who live next to their food, though perhaps unimaginable for those who call their meat by another name. One fearless swipe of the cleaver will sever head immediately from body. Two quick nicks trim the fingers and toes down past their webbing, and a final slash along the backbone readies the skin for removal. Here, a cloth or a pair of pliers is useful: catch a firm grip on the edge of the skin and pull back toward the legs in one firm, smooth rip. Like a diver from a scuba suit, the frog’s lean, muscular body emerges pale and shimmering....


InsideStoryTime
Thursday, January 17, 2008
7 - 9 pm
Delirium
3139 16th Street (btwn Valencia & Guerrero)
San Francisco, CA 94103
(415) 552-5525
view map

Labels: books, events, thy tran

While I don't really want to wear clothes made out of food, I do like gawking at them. You can find plenty of food fashions online. Start with the classic Hats of Meat web site with fashions that include the pork pie hat made of pork, the base-bull cap made from ground beef and flank steak and the ever popular brisket yarmulke.

For several years we have also ogled fashions made out of chocolate. Not edible underwear, but actual clothing. There was 2003 Chocolate Show, the 2004 Chocolate Show and even a Food Network Chocolate Runway Challenge.

Now you too can gape at the goods. On Wednesday September 26th the Golden Gate Restaurant Association will hold the annual event "Toast of the Town: Where Food Meets Fashion" showcasing cutting-edge edible designs created jointly by San Francisco chefs and fashion designers. Check out a cool movie about the event.

Chefs involved in the food fashion runway will include Food & Wine Magazine's 2007 Rising Star Chef Sean O'Brien of Myth, James Beard award winning Hubert Keller of Fleur de Lys, and Chronicle Rising Star Chef's Elizabeth Falkner of Citizen Cake, Loretta Keller of Coco 500, Anjan & Emily Mitra of Dosa, Sharon Adriana of Gialina, Stuart Brioza of Rubicon, Bruce Hill of Bix and Restaurant Picco, Staffan Terje of Perbacco, Mitchell and Steven Rosenthal of Town Hall and Salt House, and Tim Luym of Poleng Lounge. MC and host Marisa Churchill from Bravo TV's "Top Chef", and Tres Agaves Bartender Ashley Miller will also create culinary designs.

Taste signature dishes from San Francisco chefs including Chris Cosentino of Boccalone/Incanto, Mike Selvera of Bar Crudo, Craig Stoll of Delfina, Mark Gordon of Terzo, and many more.

Wine and beverage stations will be situated throughout the great hall at the Old Federal Reserve Building where talented chefs will cook the night away. Sneak into the speakeasy, sponsored by Bourbon & Branch, on the 2nd floor balcony.

Toast of the Town: Where Food Meets Fashion
Wednesday, September 26th; 6:30pm-10:00pm (VIP Event Begins at 6pm)
Old Federal Reserve Building, 301 Battery Street
For more information, visit:
Golden Gate Restaurant Association or call 415.781.5348.

Note: Toast of the Town benefits the GGRA PAC, which represents and promotes the interests of the food service and hospitality industry in the San Francisco Bay Area.

Labels: amy sherman, events, fashion

This past weekend many of my favorite activities came together under one roof for one night only in San Francisco. On Saturday August 12, from 7 - 9 PM Slideluckpotshow brought handmade food, art, artists, friendliness, beautiful thought-provoking images, eating new things, seeing old friends and making new ones, giddy excitement at the spontaneousness of it all, and deeply inspiring ideas about creating community together. It met me when I left the just cooling breeze of San Francisco's dusk and entered the vast white space that is Sandbox Studios on Minnesota Street. Slideluckpotshow met all my expectations and then far exceeded them in a few minutes, when, after arriving too early with my carpool, put me to "work" being a 20 minute volunteer.

The first time I read about Slideluckpotshow was in Time Out NY on a trip there. I kicked myself for not thinking of the brilliant idea myself. And then I wished I still lived in New York City. Well, for a minute, at any rate.

Recently, via Marcia of Tablehopper and through an odd series of random emails, all mere days before the event, I heard that Slideluckpotshow was coming to my fine, fair city. I could barely contain myself long enough to think about what dish I might create to welcome Slideluckpotshow's founder Casey Kelbaugh and his crew. How could I convince them to come to SF again? How could I gather all the troops possibly interested in coming to an event displaying such an incredible amalgamation of ideas?

It's true, Slideluckpotshow had little advertising. Until I posted the information on eggbeater no one I knew had heard of it or realized they were coming SF at all. Which is really unfortunate, because it was right up our alley!

The requirements for attending for Slideluckpotshow were easy. Make food (I made enough for 30 people but most people made enough for about 12, depending on the portion size), or bring really good dishes from a reputable prepared-food vending source. Make or bring great beverages. If the first two are not possible, give a good donation at the door. {My friend DB gave $10.} Come hungry at least a few minutes, or up to 2 hours, before the slide-show. Be prepared to sit on the ground if you don't get there early enough to nab a seat in a chair or on a comfy couch. Wear the eye glasses you do for watching a movie, if needed. Enter a small body of images for the show and make the deadline. Or don't submit "slides" but be prepared for seeing/ experiencing a wide range of aesthetics and mediums projected on a 20 foot screen via an Apple computer. There were two sections of the slide show, each running at about an hour, with an intermission in the middle.

My favorite artists from Saturday night's SF showing are the following:

Jessica Rosen's powerful images of transsexual women in Brazil, high contrast, slightly ironic (fashion or not?) portraits by Olivier Laude, Jonathan Solo's graphite pencil work wherein he, "collages the drawings... to create meta-feminine/masculine figures from a fantastical assemblage of physical characteristics." There were two artists whose photographic documentation of America's wars in Iraq and Afghanistan reached into my core, but Heidi Schumann's images and astute interplay between sound (all the slide-sets were accompanied by music of the artist's choice) rendered me speechless. Although it's difficult to pick a favorite set and artist, I will. Tim Gasperak contributed a series of photographs stark, detailed, evocative, lovely and textured from two series, Mystery of Iceland and Isolated Landscapes. Even his bio is well written.

What did I make for the pot-luck? A fruit salad composed of the juiciest, most absolute ripe beyond ripe farmers' market fruit. Something similar to Shuna & Athen's Famous Gazpacho. A quick photo of the finished bowl can be found by clicking on this link. From my assembled posse there was also a beautiful pecan-peach cake made by Marc, and a clean squid and broad bean salad made by none other than Brett.

Slideluckpotshow could not be a better event for me: a chef with over 10 years of fine art training and a BFA in photography. If you're a person who appreciates Open Studios or museums, Flickr or JPG, or just the occasional food porn photograph, this is an event I beg of you to attend if it comes to a wide open room near you.

Labels: art, bay area, California, events, local, san francisco, shuna lydon

At last week's Maker Faire I ran into a few of my favorite food artisans. In place of single-estate chocolate or the minute's freshest fruit, though, their ingredients were felt and yarn, circuit boards and LEDs.

What happens when you fold together San Francisco's cult of craft with its love of all things sweet or savory? And what if you spice it up with a dash of Silicon Valley's geeky, cheeky inventiveness and a generous dose of Burning Man bravado? You get a robot who mixes cocktails and you get the Dorkbake Challenge, where inventors present their original designs for working ovens heated with a 100-watt lightbulb.

It was a fun, unexpected reminder of how much our taste buds spark our creative cortex. Here are just a few highlights...


Cupcake Cars

Zipping around the San Mateo Fairgrounds were big, bright cupcakes. A double-take confirmed that they were, indeed, giant sweet confections rolling on wheels with one, sometimes two, human occupants. They were capable of turning on a dime and generating smiles wherever they appeared. Surely the best use of old, motorized wheelchairs and fuzzy fabric ever.


How to travel in sweet style.

There were a couple of muffin mobiles thrown in for good measure, but even the antioxidant-rich blueberries couldn't compete with chocolate or pink frosting.


Don't forget the extra frosting and sprinkles for protecting your noggin!

If you've been to Black Rock City in recent years, then you already know about Cupcake Corners. Solar-powered cupcake cars are certainly my own preferred mode of transport across desert (dessert?) flats.


SweetMeats SuperSavor

I've had my eye on this special meat purveyor for a long time, so I was glad to see their unique pillow cuts on display. Who knew meat could be so squeezable?


A big, plushy ham, bone still in and rind neatly scored.

Introduced in person to their new protein, I fell hard for a block of sesame-sprinkled tofu. Bean curd appears in my own fridge much more often than a full ham, so I was glad to see the veggie offering.



I was also lucky enough to snag the last shrinky-dink charm bracelet, complete with steak, ham AND pork chop.


Moveable Feast

At the Maker Workbench, the Exploratorium and London-based Cabaret Mechanical Theatre joined forces to give kids and kids-at-heart a chance to build edible automata. Learning how gears, levers and pulleys work becomes a lot easier when food is involved. (If only my high school physics teacher had appealed as successfully to my stomach as well as my brain!)


Cookies, pasta, pretzels, Twizzlers and, of course, a bagel become a starchy display of erupting lava.


NifNaks

Nifer Fahrion has gathered an entire family of cute, quirky "Shroommates." Each little character, culled from real-world fungi, has a distinct personality that she's conveyed impressively well with bits of felt, from the easily startled Morley Morel to red-topped Mr. Muscaria, who "likes to hang out with all the fairies that crowd in Dolores Park." There are little 'shrooms for ear lobes or cell phones, bigger ones for sprouting on desktops or bookcases. Cherries, bees, acorn, and happy vanilla ice cream cones are also well represented.


Impish and mischievous, Shorty Shiitake hides out in the grass.

Labels: art, events, fungus, meat, thy tran

Shuna Lydon & Sherry Yard, both on team #1.

A number of months ago I received an email from an old pastry chef of mine, Stephen Durfee, who is now an instructor at The Culinary Institute of America, Greystone campus in Napa Valley. He was letting me know I would soon receive an invitation to The Fifth Annual Worlds of Flavor Baking & Pastry Arts Invitational Retreat.

But I thought I would have to respectfully decline, because I am not currently working for a specific establishment. The only name on my chef's jacket is my own. I could not be more grateful that Stephen talked me out of my no.

For 3 1/2 days at the end of April I breathed, thought, emoted, questioned, hypothesized, puzzled over, laughed about, informed, taught, learned, listened, typed, photographed, argued and dreamt pastry and dessert making. {I also "live-blogged" it. Find the blow-by-blow by clicking on this link.}


Notes from the Ideation Session before we went into the kitchen to start creating.


The dessert ideas and chef teams that were formed our team's Ideation Session.

From 8:30 am until near 8 pm every day our 70 plus pastry chef and industry representatives' gaggle went from demonstration, to lecture, to lunch, and then at night many of us went out to dine and commiserate. On the last day and a half we were broken up into 5 teams on the basis of various themes and asked to create 4 desserts each.

Team #1, my own, was themed "Health and Agriculture." In the one hour Ideation Session Sherry Yard and I threw out a lot of excited ideas, were reigned in, we all picked partners and then walked into the palatial kitchens that make up CIA's kitchen classroom. For the 'fruit dessert' my cohort/teammate was Master Bread Baker Mark Furstenberg from Washington DC.

The idea was we would showcase one ingredient, rhubarb. Although rhubarb is not a fruit, it's what's most in season right this minute, and I wanted to show off a special method I have of cooking/treating it, so as to preserve its original integrity, its rhubarb-ness. I like to hot-sugar poach the stalk in such a way as to keep it's crunchy, sour nature. {For a full explanation and recipe, order the Spring 2006 issue of Edible San Francisco, where I went into great detail about osmotic reciprocity and why rhubarb always turns into mushy, stringy baby food when it's introduced to heat.}


Verbena from the Julia Child Gardens at CIA, infused cream and rhubarb juice.

Mark made a slightly savory biscotti of cornmeal and toasted almonds, and besides the rhubarb I wanted something to mediate the textures and flavors of the rhubarb and cornmeal cookie. Plated dessert making is about balance. Pastry chefs are always thinking about texture, flavor, presentation, sweetness, acid, production, size, plating speed, accessibility, temperature, and the food you ate before eating our courses. The best desserts are the ones not made on autopilot. Don't get me wrong, I like my lemon bars, chocolate eclairs and creme brulee, but I want the pastry chef to be paying attention to all the ingredients to produce the best possible taste sensation.

Because of rhubarb's high acid content, it likes to be married with fat. I ate at Gary Danko recently and was not surprised to see rhubarb paired with foie gras. Rhubarb likes butter, cream, creme fraiche, and eggs. But the actual flavor of rhubarb is fairly subtle. If I want a diner to really taste it, I try and make pairings that are of complementary, not competitive flavors.

To this end, I made a light and aromatic, herbaceous sabayon. Instead of wine or alcohol, though, I juiced rhubarb raw through an extractor. If you have time for all these steps I can guarantee you an elegant and voluptuous, seasonal dessert.

David Winsberg of Happy Quail Farms said that he'll have rhubarb through 'til August, but Sabayon is a perfect foil for most fresh fruits, especially berries and stone fruit.





RHUBARB-VERBENA SABAYON

Large Egg Yolks 4-6 each
Sugar 1/4 cup
Honey 3 Tablespoons + (2 Tablespoons: later)
Sea or Kosher Salt Pinch

Rhubarb Juice 3/4 Cup

*Verbena, fresh The leaves from 3 stalks
Heavy Cream, not ultra pasteurized 2 Cups (I use Clover Organic.)

*Knoll Farms has some of the best Verbena available in the Bay Area.

1. Infuse cream and lightly crushed Verbena leaves and stems in a non-reactive pot by heating with low flame until hot. Shut off heat and let steep for at least one hour, preferably more. Do not allow mixture to boil. You can sprinkle in a little sugar to help with infusion.
2. After cream has steeped, turn flame to medium until hot to the touch and strain through a fine meshed sieve. Chill cream in ice batch until very cold. (This step may be done 1-2 days before making Sabayon.)
3. Combine first four ingredients in the bowl of a stand mixer. Whisk yolks to break apart before adding sugar and salt.
4. Set bowl over a pot of boiling water. Bottom of bowl should not touch water. The steam is what's cooking the Sabayon.
5. Whisk thoroughly and rapidly, without pause, and, using your other hand, pour rhubarb juice into yolks a little at a time, letting custard thicken a little before adding more. When all liquid has been added, whisk until mixture holds a visible "trail" and has become quite thick.
6. Place bowl on stand mixer fitted with a whisk attachment and set speed to medium. Add extra 2 Tablespoons of honey now. If it looks like honey spun to attach itself to the side of the bowl, stop mixer and scrape down Sabayon with a spatula to combine.
7. Increasing speed incrementally, whisk until custard is light and voluminous.
8. Whisk Verbena infused cream until soft peaks form.
9. When Sabayon is ready, transfer into a larger bowl.
10. Using the most pliable spatula in your kitchen, fold whipped cream into Sabayon in three distinctive additions. Fold intentionally, from the inside of the bowl to the outermost edge. Each stroke counts. If you over mix these two ingredients your Sabayon will deflate to the point of liquidization.


Rhubarb-Verbena Sabayon with Crunchy Poached Rhubarb, Corn-Almond Biscotti and Marshall Farms Star Thistle Honey. Pastry Chef Authors: Shuna Lydon & Mark Furstenberg.

Sabayon keeps, refrigerated, for 1 day, but it is best the day it is made.

Labels: agriculture, chefs, culinary education, dessert, events, gluten-free, Napa, recipe, recipes, shuna lydon, vegetables

Okay, enough with all the pho.

I think it's time for folks to try some other Vietnamese dishes. There are hundreds of snacks and soups, both in Vietnam proper and in Little Saigons around the world, but for reasons I'm still trying to understand, both restaurateurs and diners settle into predictable menus.


Savory bits of shrimp, mung beans and scallion oil top little steamed rice cakes.

Vietnamese cuisine today is where Chinese food was in the 50s, though some decade soon I'm sure restaurants will begin expanding beyond summer rolls, spring rolls, shaking beef and sizzling/happy/singing crepes. Perhaps it will be when we let go of the Western kitchen's saute line, or when the rubber plantation decor finally goes the way of the tiki room, or when tourists from Vietnam can visit here as readily as we fly there.

Until then, I'd like to encourage you to try two of my favorite hot-weather dishes.

Now that you're familiar with rice noodles in broth, go enjoy a plate of banh cuon and banh beo. Vietnamese cooks coax rice grains into endless shapes and textures, and these two dishes are classic ways to enjoy the cuisine's distinctive layering of flavors.

Banh Cuon

The best banh cuon are made to order. The set-up is simple: thin fabric stretched over the mouth of a wide pot, a few inches of simmering water, an oiled surface for rolling. A flat ladle and a long wooden stick are the only gadgets you need. Unfortunately, the skill required to coax a thin rice batter into a transparent round of edible silk must be passed from generation to generation.

Watch how a master steams and rolls an order of banh cuon:



Wrapping savory fillings, such as pork or mushroom, is the most common way to use the steamed rice sheets, though other versions have ingredients sprinkled above plain rolls rather than wrapped within them. Fresh herbs, like young mint leaves, and fried shallots should appear somewhere nearby. Just before you eat the rice rolls, you'll flood them with a dilute version of that ubiquitous dipping sauce made from nuoc mam.

Banh Beo

If you steam rice batter in tiny dishes rather than on a thin layer of fabric, then you'll have piles of cute banh beo. Something magical happens in the steamer to create a dimple in each round, perfect for holding bits of flavorful ingredients. The classic toppings are delicate in texture while concentrated in taste: dried shrimp cooked to neon orange, mung beans ground to golden fluffiness, perfect dice of crisp pork rind, or scallions wilted just until sweet. The same thin sauce flavors these lovely dimpled rice cakes.


My fleet of dipping bowls -- only 39 cents each at Kamei on Clement -- serve double duty as molds for banh beo.

Here's the easiest way to eat banh beo: use chopsticks to nudge each round onto a soup spoon, make sure there's a representative amount of sauce and topping included, and then slurp the generous mouthful in one, happy bite.


EATING OUT

If you live in Oakland, you're not far from a restaurant that serves both banh cuon and banh beo.

Tay Ho Restaurant
344 12th Street (@ Webster)
Oakland, CA 94607
(510) 836-6388


COOKING CLASS

If you want to learn how to work with rice batters and how to make banh beo in your own kitchen (so easy!) then join cookbook author Andrea Nguyen and yours truly for a special hands-on cooking class. It's a weekend class sponsored by Slow Food at Terry Paulding's amazing teaching kitchen in Emeryville.

In this class, we'll also teach you how to work with dried rice paper and how to make truly crisp banh xeo. Vietnamese salads, sweets, beer, and salty plum limeade round out the menu.

Vietnamese Transformations of Rice
Sunday, May 20, 2007
5 pm to 8 pm
at Creative Kitchen
1410D 62nd Street, Emeryville, CA
Slow Food members $50/nonmembers $60.

Andrea has a detailed flyer (pdf) at her website. You can also contact Frankie Whitman at fwhitman at pacbell.net for more information or to register.

Hope to see you in class!

Labels: asian food, events, rice, thy tran, vietnamese

Every year you have the same holiday dinners. Turkey for this, ham for that. An odd crown roast or duck and maybe cedar plank fish if you have a house in the country. You like the same side dishes to go with these main proteins. With some meals a mixture of sweet and savory gracing the table is important, but sometimes it's all about the salt. Certain holidays are about being American and then there are the ones that remind you of the culture in which you grew up or flavors your grandmother introduced you to.


Each cavity stuffed with a different set of aromatics.


Goose, bound.

You're married or belong to a community or every year you go to a different house for these holidays. Every year is basically the same, except that everyone's a little older, or every other you do what your partner wants. Sometimes you volunteer at your local synagogue or church or soup kitchen and make more food than you thought possible. When you sit down to eat after these days your exhaustion is deeply soul-satisfied with a varied plate of food you let yourself (finally) eat and enjoy.


Elise Bauer makes her famous cranberry-orange relish at the event.

During the year you make dinner parties or bring what the host asks you to make. You shop at the farmers' market differently for these special nights. You pull out your favorite cookbooks and try a new recipe or finesse a favorite from the tried-and-true box. You proudly unfurl your food and wait nervously for people to dig in, hoping beyond hope that what you've made will pass muster and maybe at the end of the night someone asks you for your recipe. You go home feeling warm and full in ways you generally don't after dinner at home.


Basting.

One day you realize you sorely miss a particular holiday dinner you went to year after year. It was German affair complete with goose, red cabbage with chestnuts, a most exquisitely rich pan gravy, lebkuchen and bite-sized marzipan shapes from Berlin. The person who you went with has died, and now every year, at the same time, you miss that goose. Even though you didn't grow up with anyone who ever cooked a goose.


Cookiecrumb and Cranky's bright and tangy sauerkraut crockpot.


Prepping the innards for gravy. (The goose is dense and rich and the gravy begs to be drunk from a glass!)

You have a food blog, or you date someone who has one. You used to cook professionally, or are going to culinary school, or are a professional food writer, or you live in a house the size of a private airplane hanger because you're the most amazing photographer, or you're a meat cooking expert or you have a wine cellar or you're not working right now. You organize a goose making dinner because you realize, in order to satiate this goose-eating-taste-bud appendage you've acquired and now must acknowledge, albeit late in life, you must learn how to cook said animal yourself.


Jessica Wilson taking the temperature of the geese.

You start talking about the possibility of a German Holiday Feast near actual holidays to your food blogging friends. You plant the seed.

A brilliant idea comes to you one night late. February! It's the perfect time for such a dinner. Although you won't get your geese warm from a fresh slaughter as you might near Christmas, you're told all your Bay Area options for goose buying. You're not working much or you're in need of organizing a grand food event. You've recently been to a number of massive community food gathering undertakings for which you only showed up as a guest and now it's your time to kick it into gear. You go to you local meat expert, fellow blogger, someone you refer to sweetly as your personal Meat Angel. You know he's the person to make your first goose with.



You channel the most organized, bossy side of you. You want to eat what you want. You make a list, asking for people to choose from a list and "call" a dish. It reads: "spaetzle, red cabbage with chestnuts, a green salad (for me what constitutes a salad, in, Feb. is head lettuce, cucumbers and radishes), baked potatoes, something sauerkrauty, steamed broccoli or greens or squash something, raw celery root something, something leeky, cranberry sauce/chutney something, chocolate, marzipan tinted dessert and Marc, can you make that Orange Cake?"


Paul Hendry carving with Guy's lucky carving knife.

At the last minute you have to change locations. People you've never met offer their industrial palatial estate. In between dinner and dessert one of the hosts, a distinguished professional photographer, takes portaits of all the guests! The kitchen crew of three gets shot jumping in the air. (All photos from the session will be made public shortly; link will be posted on Eggbeater.)


Molten hazelnut-cocoa nib brittle garnish for pot de creme made on site by Shuna and David Byron.


Marc's orange cakes & caramel sauce plated with David & Shuna's gianduja pot de creme.


"The Kitchen Crew" Jessica Wilson, David Byron, and Shuna Lydon (not pictured) at the head of the table happily eating dessert.

Even though the event tires you out you would do it again. Twenty-four people gather, make the seasonal side dishes you were craving, and bring wine and beverages from all over the map. You make new friends, have a number of inspiring conversations, banter and laugh, navigating a foreign kitchen, and everyone eats the German Holiday Feast of your making, from your heart and imaginings.

Labels: culinary education, events, fowl, Germany, holiday, shuna lydon

I arrived at the Moscone Center yesterday morning at 7:30. I was, it seemed, the only person in the North Hall who wasn't either sitting quietly in a registration booth or scurrying about with boxes of food, portable gas burners or Chinese musical instruments. Cursing myself for unnecessarily missing an extra half hour of sleep, I approached the Press Registration Booth slowly, not wanting to look over-eager. I found this attitude a difficult one to strike since, being the only non-employee in the building, my mere presence there at that hour betrayed me. The woman at the press station smiled and, as if not to wake me or herself said gently, "Good morning. Why are you here so early?"

"Oh, I thought I'd just beat the crowd." Having said that I then realized that, unless one is a baker of bread or breakfast pastries, food professionals are not typically known for rising early and shining. I thought it best to say nothing more before my already-tenuous claim to a press badge was revoked. I left the building, got some coffee and returned, casually, at 8.01.

Crossing over into the South Hall, I managed to snag a second row seat to hear Eric Schlosser's Keynote speech: Fast Food Nation: The Dark Side of the American Meal. Before his arrival, an ex-nurse warmed up the audience-- at least, those of us lucky to have been within earshot of her-- by condemning those still practicing her former profession. I did my best to not get sucked into conversation with her, looking forward instead to being profoundly depressed by Mr. Schlosser's speech.



Upon arrival, Mr. Schlosser's first action was, in fact, to offer an advance apology for delivering such a depressing talk so early in the morning. In reference to his best-selling book, he said it was not so much fast food that interested him as it was the nation itself.

"Food is the bedrock of society. It defines us as a nation."

"The selling, sourcing, marketing and production of food all have a great impact on the nation," he continued. McDonald's, his primary example, has not only dramatically changed the way America eats, but the way it farms and sources labor. The fast food industrial system is not reliant on the individual-- it seeks uniformity, conformity. "One taste worldwide" is the alarmingly appropriate slogan for McDonald's.

Schlosser continued by explaining the ways in which McDonald's markets itself. One example I found very grim. Noting that brand loyalty can be developed in human beings at as young as two years of age, McDonald's has targeted children in its advertising, assuring itself future generations of loyal customers. Schlosser claims that one in every three toys recieved by a child in this country comes from McDonalds. This information alone was not terribly disturbing, but the studies he cited linking the habitual eating of fast food to childhood obesity (one in three American children is considered at-risk), diabetes and heart disease killed my caffeine buzz.

"Can we market healthy brands to children?" He asked.

From here, Schlosser's talk took a more positive turn. He noted that the fast food culture that had its beginnings in mid-20th-Century southern California is gradually giving way to a more thoughtful way of eating that has its roots in the Bay Area. "People are starting to read labels." People are beginning to care again about what they put into their bodies.

In closing, he commended the Food Show attendees for their efforts at getting healthier, more natural foods out into the marketplace and hoped that, someday, "fancy food won't be considered fancy anymore."

My general sense of culinary doom for this country temporarily soothed, I made my way to the convention floor.

I thought I had prepared myself. Previous attendees offered advice like "Get a game plan" and "Just pace yourself." I now know that one can never be too prepared.

The show lasts three days for a reason- it's huge. Trying to take it all in over the course of one morning and afternoon like I did is like trying to take in all the sights of Western Europe over one holiday weekend. By 3 o'clock, both my belly and my brain were full. How much chocolate, cheese and hot sauce can a one take? I cannot recount everything I saw there, we'd all be in tears, though yours would most likely be shed due to boredom. Instead, I will limit myself to sharing a few highlights-- and low.

I thought a bit of hot chocolate might be a good way to start the day, though the initial sight of what I thought was a booth caught on fire made me want to start for the exit before I'd barely gotten underway.



Over in the Australian foods section, I sampled hot sauces with a man from Redback Chili Products, whose Horrible Haggis's collection of chilli (their spelling) sauces caught my eye. The following label depicts dominatrix nuns whipping a bare Bill Clinton while a cigar smoking Monica Lewinsky looks on. Another sauce label in their collection suggests using their product for testicular massage. I admired their ballsy marketing.



One of the things I enjoyed most about the show was encountering food items I'd never heard of before. My hands-down favorite was the Carica from Chile. The fruit tastes similar to a mango, but with softer, almost pear-like notes. The syrup from the jar would be great for mixing cocktails (attn: Stephanie).



The Yumberry is, as I was told three times in the two minutes I visited the booth, not a lychee nut. The flavor of the juice was good, almost cranberry-like. I was just skeptical of its name. I suspected a Chinese-to-English "sounds-like-a-good-idea" marketing ploy. Being a techno-and- marketing-savvy fruit, it has its own website. You can read the "The Legendary of Yumberry" there at your leisure.



After spending enough time sampling detoxifying fruits and their juices, I came upon a stand that was offering precisely the opposite. I thought a cocktail might take some of the edge off the convention. It (they) didn't. I was disappointed to see mostly Cosmopolitans, the I-lack-any-sort-of-imagination-so-I'll-just order-what-everybody-else-is-ordering cocktail of yesteryear and it's new replacement for America's hopelessly sheep-like drinkers, the mojito. I sampled a bloody mary mix that was so unbelievably salty (and I love salt) that it sent me running back for more Yumberry juice. Remind me never to trust a company that doesn't care about spelling.



One of the last booths I visited was also one one my favorites. Fish-in-a-tube by Mills from Norway. The smoked salmon and mackerel were very tasty and, I would imagine, very good to have on hand. I took some samples and plan on putting one in my medicine cabinet.



My energy sapped, my brain and belly full, I resolved to leave. On my way to the exit, I ran into Pauline, a regular bar patron at my place of employment. In a lovely and much needed-by-me reversal of roles, she offered me a glass of New Zealand Sauvignon Blanc. I thought this was most likely the best way to end my day at the 32nd Annual Fancy Food Show. We chatted for a few minutes until I had finished my wine, I thanked her and then left.

I praise my own ignorance for much of the enjoyment I experienced at the show. Apparently, photography is frowned upon. Surprisingly, only two people asked me not to take photos. I thought it was because their products were so horrible that they were possibly ashamed. Now I know better.

If taking photos is frowned upon, taking product samples is definitely taboo, which is why the FFS only offered conventioneers clear plastic bags. Though completely ignorant of that fact at the time, I am glad I put the bottle of ouzo that a lovely woman from Chios gave me in my messenger bag. Efkharisto for that.

Though, at the moment, I never want to see another bottle of olive oil or new, exciting tea beverage in my life, I understand what a great resource the Fancy Food Show is for everyone involved. The opportunity to sell one's product and make money is there to be certain. So is the chance to spot trends (like the exploding interest in teas), get inspired (though the pina colada flavored cheese straws need some work) and generally connect with the rest of the food world-- and I do mean world. I would happily go again, knowing now what to focus on (trends, ideas) and what to avoid (stop eating so much cheese).

The convention lasts until tomorrow, January 23. Perhaps by then the more seasoned veterans of the show will have exhausted themselves with all the eating and schmoozing and selling and buying. They will go back to their hotel rooms (or, if they are particularly good at schmoozing and selling, someone else's hotel room) sated, finished with the convention and San Francisco for another year. Or should I say two years? The 33rd Annual Winter Fancy Food Show will be hosted in San Diego.

Labels: eric schlosser, events, fancy food show, michael procopio

Every January, food professionals from around the world make their way to San Francisco, lugging jars upon bags upon boxes of fancy food. Yes, "fancy food" is an industry term. Silk-wrapped green tea, sparkling quince jelly, Cryopac poi, vermouth-soaked olives, Spanish ham, Australian wine, pink salt, black salt, gray salt, chocolate with peppercorns and coffee beans with twice the caffeine--it's all there for the tasting.

Over the coming days, well over a thousand exhibitors will settle into the Moscone Center with their colorful displays and their 80,000-odd foods to sample. Long aisles will be dedicated to entire countries, while special stretches will be given over to categories such as What's New, Organic, Gifts and Foodservice. No samples are supposed to leave the floor. Clear bags and lots of uniformed attendants ensure that no one will be able to reverse engineer their competitors' new products, so while it's one of the most fun all-you-can-eat fests out there, it's overwhelming for even the hardened and hard-core. Entire articles have been written on how to tackle the Fancy Food Show: go with a goal, pace yourself, perfect your elevator speech, and for goodness sake, don't forget your business cards.

Although you need to be a professional to snag a badge, the keynote speech this year is open to the public. Eric Schlosser, author of Fast Food Nation, will take to the podium this Sunday morning to talk about the role of the specialty food industry in helping America eat more healthfully. With substantial time promised for Q&A, it should be an interesting conversation between the man who showed us the dark side of the food industry and those who make a profit from our love of all things yummy.

Schlosser is an intelligent, engaging speaker who answers questions thoughtfully and honestly. I once heard him explain why he still eats hamburgers, with Alice "I've Never Eaten at McDonald's" Waters sitting next to him and a hall packed full of Berkeley folks waiting to pounce. He was able to articulate his beefy preferences without false guilt, convoluted excuses or -- most importantly -- self-indulgent self-righteousness.

I imagine the discussion will touch on how small, local businesses can prevail over big bad companies, how quality is more important than quantity, and how -- whew! -- we can still have our organic, locally-produced, whole-wheat cake and eat it too. What Schlosser adds to the more predictable arguments are his sharp, investigative observations and his forthright conclusions. So, whether you've read Fast Food Nation or not, it'll be worth pulling yourself out of bed this weekend. Listening to Schlosser speak is one of the best things we confused eaters can do for our stomachs and our souls.

Exclusive Keynote with Eric Schlosser
at the Winter Fancy Food Show
Sunday, January 21, 2007
8:30 - 10:30 am
Moscone Center
747 Howard Street, San Francisco

Tickets are $40 and can be purchased at the NASFT's page for Educational Programs at the Fancy Food Show.

Labels: events